Step 2 – Improved storage

The second step in a preservation strategy is to make sure that the storage environment is appropriate for the electronic media in the collection. In general, the storage environment should have a RH below 50% and be cool enough for all types of media.

Optical media storage

Optimal environmental storage conditions

Optical media require:

  • 20–50% RH
  • temperatures between -10 and 23°C

In addition, it is important to avoid large, rapid fluctuations in temperature and RH because these changes can promote delamination of disc layers, especially on discs that are poorly manufactured.

CD-R in storage.
Figure 1. Correctly stored CD-Rs. Note that the case — not the CD — is labelled, the discs are gold archival quality and the discs are held in jewel cases resting on their edge.

Optimal physical storage

Best storage cases

CDs and DVDs should be stored in standard polystyrene plastic "jewel" cases that are 10 mm (3/8 in.) thick.

For more durability, store the items in standard-thickness polypropylene cases (Figure 1).

Cases vs. sleeves

Do not use plastic or paper sleeves because these:

  • do not provide physical protection
  • may scratch the disc
  • may contaminate the disc surfaces with debris and possibly degradation products

How to store CD and DVD cases

Store the jewel cases:

  • vertically on their edges
  • away from direct lighting

Standard commercial CDs and DVDs are not sensitive to light. However, CD-Rs and DVD-Rs may contain light-sensitive dyes as recording material.

Labelling

Label disc media on the clear inner hub area using a water-based permanent ink felt-tip marker. Avoid other labelling methods, especially stick-on labels.

Magnetic tape media storage

Optimal environmental storage conditions

Magnetic tape media require:

  • 15–50% RH
  • temperatures between 8 and 23°C

Degradation problems

Binder layer degradation — description

The binder layer of magnetic tapes can suffer chemical degradation. The binder layer is a polymer that holds the magnetic particles onto the plastic tape base. Certain polymer formulations are more susceptible to degradation than others. Tapes that degrade in this fashion become sticky and lose magnetic material, eventually becoming unplayable.

Open-reel audiotapes tend to have this problem more than other formats, although it is a concern with all tape formats.

How to deter binder layer degradation

Cool, dry storage will slow the chemical degradation process and allow more time before action needs to be taken. If tapes show evidence of deterioration, the information they contain should be transferred to new media formats. Note that the degraded tapes will probably need to be treated to make them playable before the transfer can occur.

For more information, see CCI’s range of Technical Bulletins, including TB #27 Remedies for Deteriorated or Damaged Modern Information Carriers (PDF document, 2.5 MB).

“Vinegar syndrome” degradation — description

Many early audio reel-to-reel tapes (1935–1970) used cellulose acetate as the plastic support or base layer. The acetate plastic in these tapes is subject to acid-catalyzed hydrolysis that leads to breakdown of the polymer chains in the base layer. This degradation gives off acetic acid (the same acid that gives vinegar its characteristic smell) and is known as "vinegar syndrome.”

When an acetate tape degrades, the base shrinks, distorts and becomes brittle — which makes it difficult to play the tape. Information on the degraded tape should be transferred to another suitable medium as quickly as possible.

How to deter “vinegar syndrome” degradation

Cool and dry storage will significantly slow down the chemical degradation of acetate-based magnetic tapes.

Separate any tapes that smell of vinegar from the rest of the collection, and keep them in a well-ventilated area. They should never be returned to the general collection storage area because they pose a threat to other materials.

Optimal physical storage

Store away from magnetic fields

Magnetic (audio and video) tapes and magnetic disks should be stored at least 7.6 cm (3 in.) away from a magnetic field such as might arise from electrical wiring or electrical equipment.

Store cases on edge

Magnetic tape reels should be stored on their edges in the same manner as CDs and DVD.

Reel-to-reel tapes.
Figure 2. Correctly stored reel-to-reel tapes.

Best cases

Proper storage containers help protect tapes from physical damage. They also prevent debris and other contaminants, which damage tapes when they are played, from settling on the tapes.

Storage containers for open reels and cassettes should preferably:

  • be made of solid, inert plastic
  • have air vents

Cases for heavier reels should support the reel at the hub.

For lighter reels, such as those for 1/4-in. (0.635 cm) audiotapes and for VHS cassettes, paper boxes have often been used. These boxes are acceptable if they meet the following conditions:

  • they are made of good quality paper
  • they are not frayed

Check tension of the tape on the reel

The quality of the audiotape or videotape "pack" (or tape "wind") is a major determinant in whether the tape will be physically damaged, warped or deformed. Tapes that are too loosely or too tightly wound on the reel, or have edges projecting from the tape pack, should be rewound.

How to rewind magnetic tape on reels

If a tape requires rewinding, perform the procedure with care. Done incorrectly, rewinding may actually cause more damage to the tape than if it was left alone.

  • Use a good-quality player that is clean and properly aligned. Avoid using tape rewinders.
  • Play the tape continuously to the end without stopping. Use the Play mode instead of Fast-forward.
  • For reel-to-reel tapes, secure the end of the reel to maintain the tension of the tape pack. Use wrap-around plastic collars or non-residue, hold-down tape to secure the end. Do not use rubber bands.

Surveying the electronic media collection will identify the items that need to be reformatted — Step 3.

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